All posts in Identity

Identity Works: National Music Museum

Company: National Music Museum

Background: The National Music Museum’s collections include more than 15,000 American, European and non-Western instruments from all time periods and cultures. It’s located on The University of South Dakota’s campus in Vermillion and has a very traditional and academic feel. Over 1,100 instruments are on display across nine galleries. I’m no music aficionado or student of instruments, but I browsed this website for hours and this place is home to some truly lovely and interesting pieces.

Design Goals: This was a larger project than the others, as each student was assigned a museum or aquarium and asked to design a new logo and five additional wayfinding logos for exhibit signage. All of the logos need to play nicely together and, of course, fit with the purpose and mission of the museum. Knowing that I’d be designing wayfinding marks, I wanted the main logo to be more about music as a whole and not a particular style, piece or mood. The wayfinding marks could then be more specific and direct and obvious, as they are, after all, visual tools for museum navigation and organization. This was trickier than I thought it’d be, as many things are clearly related to music but are too obvious, and are therefore things to avoid.

*Caveat! Obviously this is a school project and not the company’s new logo.

Because the museum is very traditional, I wanted the mark to feel rather traditional as well. The ‘M’ I designed was inspired by many things: the shape of an F-hole, the loop of a treble clef, the terminal of a bass clef, and the general grace of music. The holding shape was loosely inspired by the overall shape of a cello. In keeping with the classic feel of the place, I chose jewel tones for this logo and the wayfinding marks.

For the wayfinding signage, the marks needed to clearly convey what kind of department or instruments can be found in the various sections. These needed to stylistically connect to the main logo, so I chose a simple oval to hold the instrument shapes. I designed marks for the Brass, Plucked String, Bowed String, Free Reed, and Percussion sections, clockwise below.

Current logo found here.

 

Identity Works: Jimmy Dean

Company: Jimmy Dean

Assigned Company Category: Any grocery store brand

Background: Jimmy Dean is known for a lot of things, as he led an eventful life as a businessman, TV host, actor and country singer. Most people know him today for the sausage company he started with his brother in 1969. He starred in the commercials to promote the brand’s breakfast sausages and quickly became known as the Sausage King. The product offerings have expanded to include omelettes, breakfast bowls, and, dear Lord, pancake and sausage on a stick, but pork products are their main jam. PANCAKE AND SAUSAGE ON A STICK, PEOPLE!

Design Goals: The old logo has a lot going on and I’m not crazy about the cowboy boot JD situation. The whole thing has a heritage vibe and I think they are trying to leverage the history and hometownyness of the company’s namesake. However, between the two scenes and the cowboy boot, I don’t get any sense of the product or even the product category. Eat a boot! Yum. I wanted to reference the product and also make the whole thing simple enough to be reduced for placement on labels and small packaging.

*Caveat! Obviously this is a school project and not the company’s new logo.

Yellow is yummy. A modified script font has a heritage, old signage feel that alludes to the company’s history. Piggies are their bread and butta.

Jimmy Dean. Shine on, friends.

Current logo sourced from here.

Identity Works: Leatherman’s 40th Anniversary

Company: Leatherman

Assigned Company Category: Anniversary logo for any company

Background: Leatherman was founded in 1983 in Portland, Oregon. What was once a small company producing one type of pocket tool has grown to offer over 30 models. We were asked to design a logo for any company’s anniversary, so I decided to do their 40th anniversary, even though their 30th anniversary is next year. This was intentional so the logo is relevant for my book; I’m not that terrible at math, I promise! The founder, Timothy Leatherman, first aimed to produce a standard boyscout knife with pliers. Throughout the years, Leatherman has come out with dozens of models, all with different or unique functionality and purpose. The underlying goal, however, is to provide their consumer with one tool that will have the functionality and durability of many, giving them maximum capacity for fixin’ on the go. Their tools are used by the military and regular folks alike.

Design Goals: Because it’s an anniversary logo and not a completely new look, I wanted to maintain the current brand colors and masculine feel. The logo would be used in the same space as the current logo, so they need to play well together. I wanted something that would read as Leatherman, so I studied the shapes and looks of their pieces throughout history.

*Caveat! Obviously this is a school project and not the company’s new logo.

Smart Haley thought of “40 Years of Pocket Solving,” which was a great improvement on my first round of “40 Years of Problems Solved.” It’s nice to have a friend who’s great with words. I chose elements from their product design that separate Leatherman from their competition, so hopefully there isn’t any confusion!

Product shots and logo from Leatherman.

Identity Works: 3 Stinky Monkeys

Hello again! I wrapped up the quarter on Tuesday and I think it might’ve been the most productive quarter so far. As I mentioned before, this quarter was heavy on group work, which was exciting and challenging at the same time. Balancing schedules, opinions, solutions, ideas is really different than organizing everything on your own, but I worked with truly fantastic people and I’m so grateful for them and pleased with our results. More on those two large projects coming soon.

I did do some solo work in Advanced Trademarks this quarter, and this is the first of those projects. If you recall, I took Trademarks a couple of quarter ago, and a few of the projects from that quarter can be found here.

Company: 3 Stinky Monkeys

Assigned Company Category: Baby-related company

Background: 3 Stinky Monkeys is a hip onesie and t-shirt company. They pride themselves on unique designs to keep your baby looking cool.

Design Goals: I wanted to design a mark that could be used with or without type, as tags and such might require a smaller icon. It felt necessary to include a monkey in some capacity, which was fun, as I hadn’t done a lot of (or any?) animal-related logos. It also took me forever to arrive at this particular monkey. There was an exceptional amount of experimentation with him, as I wanted him to be playful and hip, baby but not too baby. How many tufts of hair? What angle should his ears point? Is he surprised or just happy? Does he have nostrils or a button nose? Incorporating the ’3′ into the monkey’s face was a fun way to give it a little something extra.

*Caveat! Obviously this is a school project and not the company’s new logo.

This was also an opportunity to do completely custom typography. I played with using a real font for this, but nothing worked very well, so I designed this type to have a bit of personality and interest.

Current logo sourced from here. Baby onesie sourced from here.

Gallus Reserve

The first project for our packaging class was to create and design the packaging for a food or drink product targeting one of the school’s employees. I had the pleasure of designing for the executive director of the school whose sophistication and knowledge of advertising seem endless. He loves to read, travel and learn as much as he can about everything. Nuts, cereal and cheese are among his favorite things to eat. We had a lengthy discussion about his childhood, career path and general passions. As a kid, he and his buddies collected baseball cards and used the knowledge of the players as a type of social currency. This really resonated with me and I started thinking about how the knowledge of cheese, like the knowledge of wine or cigars, is a type of social currency.

Discussing the nuances of wine makes great dinner conversation, but knowing about cheese can make great conversation as well. Making cheese shares the complexities of making wines and there is a lot to learn about the process, the country of origin, its historical and current uses.

I designed Gallus Reserve Aged Artisan Cheeses, a set of three cheeses and complementary crackers. The set I produced is of Italian cheeses, but if this was the real deal, there would be additional sets of cheeses from other countries. By purchasing this set, you can become a scholar of Italian cheese! You lucky duck! I wanted the feel of the package to reflect my target’s refined demeanor and I included a variety of things to keep him interested.

The package opens like a book; on the left side, there is a wood-burned cutting board, a small cheese knife and a pamphlet that includes the history of cheese in Italy, detailed information about the three cheeses included in this set and facts about over a dozen other Italian cheeses. On the right side, three small cheese wheels are wrapped in a lightweight paper and sit adjacent to their complementary crackers.

The back of the cracker boxes include facts about the history of crackers or one of the primary ingredients in that flavor so that the consumer is constantly learning about the product. The inside of the boxes are lined with a navy plaid and include an additional fact. The inside of a package is so often a lost opportunity, so I lined the entire box with plaid as well. I do love a pattern, you know.

My friend and talented copywriter Haley Gardner also wrote a great brand story for the back of the package:

The story of Gallus Reserve began with a one-way ticket to Parma, Italy. Martin Gallus had never given much thought to a life outside of the United States, or even a life outside the walls of his home. As a college professor, Martin spent his days teaching European history to listless students and his evenings catching up on research and favorite novels. A chance opportunity to teach in one of the oldest colleges in the world, The University of Parma, redirected Martin’s attention and he took the job without a moment’s hesitation.

Upon his arrival, Martin did all he could to dive head first into the deep-rooted cultural traditions of the Italian people. He drank wine. He saw beautiful art. He met interesting people and did interesting things. He re-discovered passion, himself and an obsession with something that he never saw coming. Italy may have been his newfound love, but cheese was quickly becoming his mistress. As a town known for its creation of Parmigiano-Reggiano, Martin had direct access to world-class cheeses and enjoyed learning how the Italians combined and complemented the rich flavors. And so the story of the Gallus Reserve was born, right in the town where Martin finally started living.

Today, Gallus Reserve is Martin’s effort to give everyone the opportunity to learn the riches of cheese, and life, the way he did. Just as his favorite author, Charles Dickens, once said, “Parma is one of those places you should go, but probably won’t have time for.” Gallus Reserve brings the flavors of Italy, France and America to you with these carefully curated box sets of artisan cheeses. Navigate the nuances of Pecorino, Asiago and Fontina and complementary crackers while you read about the history of these cheeses. For anyone who has a desire for knowledge of worldlier matters, there’s a perfect cheese out there to help jumpstart your journey. 

The construction of this box was kind of hilarious. I knew I wanted to make it out of wood, but we don’t have a table saw or a jigsaw (for the closing strap hole). I was able to rent them from Home Depot, but the table saw wouldn’t fit in my tiny car, so I had to rent a truck just to get the tools back to our place! My handy husband and I cut and jigsawed the wood within a few hours. Phew.

A huge thanks to Tiffany Hudgins for shooting this for me!

Identity Works: Gardener’s Select

Company: Gardener’s Select

Assigned Company Category: Small company whose products are carried in Tuesday Morning

Background: There isn’t an excess of information about Gardener’s Select. I found some gardening gloves at Tuesday Morning, but I couldn’t find any further information online. From what I saw at the store, the brand makes small gardening tools and accessories.

Design Goals: I wanted to reference what I do know about their products and what they can be used for: small gardening jobs. I experimented a lot with working the ‘G’ and ‘S’ into organic shapes in my thumbnails, and I wanted the logo to have a bit of movement. There was another option I liked, but my teacher said it felt too much like a logo for a hybrid car. Point taken.

*Caveat! Obviously this is a school project and not the company’s new logo.

I couldn’t find a separate logo image, so product image sourced from a listing on eBay!

Identity Works: South African Airways

Company: South African Airways

Assigned Company Category: Airlines

Background: South African Airways offers affordable flights to and from South Africa and other select African countries. Although the airline was established in 1934, it was recently rebranded to incorporate the colors of the new national flag. This flag was first flown in 1994 when Nelson Mandela became the President of South Africa. According to their tourism site, “the central design of the flag, beginning at the flag-pole in a V form and flowing into a single horizontal band to the outer edge of the fly, can be interpreted as the convergence of diverse elements within South African society, taking the road ahead in unity.”

Design Goals: As with many of these assigned companies, the current logo certainly isn’t a disaster. Since the airline heavily relies on tourism, I tried to think about symbols or icons that are clearly South African that would quickly register with a rushed traveler. There’s the wildlife, of course, and there’s the flag. The combination of colors on the South African flag immediately reminds me of the country (and also Google Chrome, but that came later). When my cheetah logo was interpreted as a bedazzled jaguar and not a symbol of South Africa, I knew something cleaner (Me? Clean? Go figure!) might work better. I aimed to make something that could be reduced to fit on cocktail napkins or enlarged to be plastered on the side of a plane. Regardless of the location, the mark had to read as South African.

*Caveat! Obviously this is a school project and not the company’s new logo.

Reflecting on what I’d read about the meaning of the flag, I reinterpreted its shapes to create this mark. I liked the idea of forward motion and direction for an airline, so I used the triangle shapes to allude to that. But what goes up must come down, right? The way the blue line circles the distant dot plays on the idea that the airline can take you somewhere and bring you back as well. Although the dot is not a feature of their current flag, it represents a point of destination.

I’ll be honest, I was sad when my cheetah was nixed, but I’m beginning to like this mark. It was Sylvia’s favorite in panel, which might have something to do with it.

P.S. I want to go to South Africa and swim with the sharkies. South African Airways, wanna give me a lift?

Logo sourced from South African Airways site. Flag sourced from here and plane image from here.

Identity Works: Sweet Natured

Company: Sweet Natured

Assigned Company Category: Any small company

Background: Guys! I’m so excited about Sweet Natured. My friend Brent started the company when she was an undergraduate at the University of Virginia at a small stand in the Charlottesville City Farmer’s Market. After discovering some healthy carrot cookies at the Union Square Green Market in New York City one summer, Brent set out to recreate dessert recipes with all healthy ingredients. Instead of refined sugar, white flour and butter, all of her desserts are healthy and naturally sweetened with fruits and nectars. There are a lot of great things about Sweet Natured. You don’t have to feel so guilty about eating dessert when you know it’s sweetened with fruits and laden with good nutrients. It’s also a great option for children and allows parents to treat their kiddos to dessert without fueling their sugar addiction. And it’s not like they taste like some of those dry, chalky desserts. I lived with Brent for a year while she experimented with recipes. I can assure you that all of her treats are delicious. I am partial to the brownie bites.

Design Goals: Brent is hoping to grow this business and I have full faith that she’s going to be very successful with Sweet Natured! With that in mind, and knowing that my design would actually be implemented, I spent a lot of time thinking about how to make a mark work for her across a variety of platforms: business cards, invoice forms, stickers, packaging, website, product sheets, the works. I wanted to reference the heart of her business, fruit-based desserts, while making the brand feel accessible, fun and maybe a teeny bit feminine.

I chose this green because it’s a yummy and healthy color and the stamp texture gives it a bit of a homemade feel. I actually designed it without the octagonal holding shape at first, but when I paired it with the type, it didn’t feel quite right anymore. Nothing really stood out when the weight of the mark’s line was so similar to that of the type. I think the holding shape helps the muffin/apple/heart shape take precedence.

I’m kind of silly excited about what we’re doing with this brand. Brent is flying to Atlanta in three weeks and we have a photo shoot scheduled to get some great product and styling shots. Exciting things in the works, my friends. Exciting things and lots of tasty and healthy desserts. Stay tuned!

Fonts Used: Gotham

Identity Works: Clover Consignment

Company: Clover Consignment

Assigned Company Category: Any small company

Background: Clover is the sister store of Clementine, a women’s consignment store in Carytown, a cute area of Richmond, Virginia. I used to consign my clothes there when I lived around the corner and I was happy to discover the birth of Clover, a kids consignment spot! I haven’t been there yet, but I imagine it’s stocked with adorable items for little ones.

Design Goals: I think their current logo is cute and preppy, but I wanted to design something that references their business while still using some kind of clover shape.

*Caveat! Obviously this is a school project and not the company’s new logo.

A smaller, kid-sized clothespin with a clover spring could do the trick, perhaps? I like the playfulness of this mark. I think the green with a bit of blue is youthful without being too baby.

Logo sourced from the Clover site.

Identity Works: Le Méridien

Company: Le Méridien

Assigned Company Category: Hotel Chain

Background: Le Méridien is a global hotel group with over 100 luxury hotels worldwide. One look at the photography of some of their locations and I sensed sophistication and elegance. It’s particularly appealing to me that the style of their spaces is so influenced by their respective locations. Everything is gorgeous and refined, of course, but it’s obvious that great care is taken when styling the individual hotels; their look appears to be so heavily derived from the surrounding culture. The bulk of Le Méridien’s properties are scattered throughout major cities in Europe, Africa, the Middle East, Asia Pacific and the Americas. The photo below is from their property in Bora Bora. Not a bad place or way to take a dip, you know?

Design Goals: The Le Méridien brand was repositioned several years ago and defines their core values as chic, discovery and cultured. I like their current logo. I like the sans serif and the way it’s paired with a script offers the flexibility demanded of such a global chain. I think it works well, but my first goal was to create a mark that could be used with or without type. Think embroidery on hand towels.

Le Méridien, French for the meridian, is defined by Oxford as “a circle of constant longitude passing through a given place on the earth’s surface and the terrestrial poles.” Hm. In other words, a meridian is a halfway point between two objects. With this in mind, I sketched a lot of symmetric marks using circles. Le Méridien is upscale and open and luxe, so I tried to avoid a lot of heavy lines and blocky, closed shapes.

*Caveat! Obviously this is a school project and not the company’s new logo.

The mark is made of a series of circles and the one peeking out at the top nods to noon, the midpoint of the day. On their website, Le Méridien states that their guests “discover a new way of seeing things.” I hope the openness of this design might also reference that window of discovery. I thought a deep navy with a touch of purple would work well with their luxe and cultured personality. And underneath all of that, it makes an ‘M.’ Phew. Designing logos can be exhausting!

Although the brand includes the accent over the first ‘E’ in most of their copy, the current logo doesn’t use it. I’m following suit.

Logo and images sources from Le Méridien’s site.

Fonts Used: Estilo Pro (I just love the personality of the R)